Techno-Concepts for the Cultural Field: n-Dimensional Space and Its Conceptual Constellation

This paper advocates an epistemological turn in the field of digital art history and cultural heritage studies. is understood as elaboration a new (or renewed) epistemic apparatus that allows us to understand interpret phenomena from perspective different order thought. labor conceived «epistemological technical practice», which means integrating reflection production into making design. Within this framework discussion, introduces idea techno-concept, defined co-production between machine rationale human thought/imagination. As particular cases, argues mathematical concepts n-dimensional, vector latent spaces constitute examples techno-concepts can be reappropriated reworked for analysis interpretation. offers preliminary inquiry, certain propositions are exposed open gates further discussions.